Wurlitzer in the 140 series are transitional models: more reliable than Wurlitzer’s earlier electronic pianos, but not as portable as later models. On the other hand, the 200-series is the iconic final iteration of Wurlitzer keyboards: smaller, lighter, more chrome. If there’s a Wurlitzer 140 (or any of its many variants, from the 140b to the 145) that has caught your eye, you may be wondering if buying it is a good idea. How does it stack up against the 200a? Does it require more work? What are the practical differences between them? This guide is here to help.

Fender Rhodes keyboards came with quite a few parts and accessories, many of which are subtle and easy to lose. If you’re unfamiliar with the Rhodes, it can be hard to tell if a keyboard you’re thinking about buying is complete or not.

The Wurlitzer 200 and 200a are extremely similar. If you are trying to decide between the two models, you should first of all realize that there are no bad decisions here. When restored, both types of keyboard are equally reliable, high-quality instruments. And, of course, both of them have that iconic Wurlitzer sound.

If you can’t decide between a Wurlitzer 200 and a 200a, this guide may help. Below, we’ve listed the differences between the 200 and the 200a.

If you are psyched about your new keyboard or synth and need a way to amplify it other than going direct to a PA, there are options for you! Amplifiers come in many shapes and sizes and have varying features. If this is the first (or only) amp you are purchasing for your keyboard, it is first a good idea to decide what your needs are and what you will be using it for most.  

Here are some uses you might have for a keyboard amplifier.